greyhammer90
the drunk piano player
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Of course there was shit pop decades ago. That's not really the point of the video. There's shit pop now, there was shit pop then. The difference is now it's even shittier because it's blander, more homogenous aurally, synthesized instead of played on instruments, horribly over-processed to the nth degree, and there's virtually no current serious music like there was then with the Beatles, Stones, Zeppelin, ABB, Floyd, and etc. Did you watch the video and hear his stats and explanations?
No I didn't, because I'm not particularly interested in watching a 20 minute video on a topic I've already watched plenty of videos on before. I've heard about the volume wars, the reduction of mid-ranges, etc. all before. My larger point is that most of what you're saying comes down to taste. For example, there is nothing "objectively" better about having something played on real instruments rather than synthetic. You might have a preference, but there's no objectively correct way to make good music. Even "blandness" and "simplicity" aren't a indication of quality. Some music needs a complex soundscape to convey the artist's intent, and for other music a complex soundscape would do the opposite. Also, nearly all art is responsive to art that came before it.
For example, if someone were to level the "overproduced" complaints at Charli XCX's music, I would say they might have media literacy issues. A lot of hyperpop is purposefully overproduced with aggressively repeating hooks to create an artificial bubblegum sheen that is a direct response to pop music of the prior decades.
I also think you give yourself away when you say there is no "serious" music being made right now. There's a lot of great artists making capital-G Great music currently. If you can't find it, it's really a you problem. To Pimp A Butterfly is arguably the greatest concept album ever made and it was done in the last decade. It's also as sonically complex and musically distinct as pop music gets, with a ton of live instrumentals.
If there is one thing that I will agree that old music is generally better at, it's mastering. But the cause of that is largely because Spotify streams heavily compressed music, and so record labels don't consider it a necessity because 90% of the audience isn't going to hear it anyway. But even this isn't a rule. There's modern artists who take their mastering as seriously as Neil Young.
